
Jay -- What is your educational
background?
Mr. Williams – I graduated from high school after
my tour in the Army, and went on to the Boston Conservatory of Music. I
studied the flute and clarinet in Germany, graduated from the Devry
Technical Institute and have had advanced training in digital logic in
the industrial department in Waltham, MA.
Jay – Did you play while in the
Army?
Mr. Williams – Yes, I was in the 427th Army Band
which was the first unit to be integrated under former President Harry S.
Truman. We had special buses that toured all over Germany and we recorded
in Norway.
Jay – Did you run into any racial problems
while serving in the Army band?
Mr. Williams – Yes, we were beat up all over
Europe because the white girls liked musicians.
Jay – Did you run into any racial problems
after the war stateside?
Mr. Williams – Yes, when I was studying at the
Boston Conservatory the Dean accused me of not writing my music because
he said that “Black people could not write music.”
Jay – Have you traveled much since leaving the
Army?
Mr. Williams – Yes, my wife, who has a Masters in
Nursing, and me have been to Australia, Rome, Venice, and Paris on
leisure.
Jay – Did you come up with any notable old school
Jazz musicians?
Mr. Williams – Yes, Quincy Jones (composer and former
trumpeter) was a street musician who played in a club in Boston. He would
sit in and play all night. Louis Farrakhan (Muslim leader) was a dancer
at one of the lodges here and Thelonious Monk (former Jazz pianist)
was one of his students in New York. I also played with a guy that played
with the late Louis Armstrong.
Jay – How do you teach your students the
free-flowing art of Jazz?
Mr. Williams – My way of teaching is to teach them
how to improvise.
Jay – What is your opinion of the state of Jazz
today?
Mr. Williams – Jazz today is still progressing,
musicians are well schooled, and even the Japanese and Chinese now
respect Jazz musicians. America, however, is less impressed and they push
novices.