By Jay Whipple
Trend Magazine Online™
Edutainment At It's Best!
Trend Magazine Online™
Edutainment At It's Best!
This was
my first quasi post COVID-19 National Black Theatre Festival (NBTF)
and 4th overall since 2011. My budget allowed me to attend one day this go
round since I have moved out of the quaint city of Winston-Salem, NC,
a number of years past. I decided to attend on Thursday August 4, 2022,
because the plays that I wanted to check out were scheduled at times that made
it possible for me to travel to both in the same day. I chose the Natural
Woman: An Aretha Story just because she earned and kept the title of The
Queen of Soul and was married to Mr. Glynn Turman who I had the privilege
of interviewing at this festival in 2011.
My second choice was the play Frederick Douglass: No Turning Back/Sojourner
Truth because of my passion for Black history and the fact that they
are both covered in my book Black Charlotte From A
Tour Guide's Perspective.
I arrived
at the venue at approximately 1:20pm after walking a half a mile from
where I ended up parking at a motel just east of Downtown after
searching for about 10 minutes for free parking. I missed the last
inbound NBTF shuttle bus from my usual Downtown hotel spot due to
a logistical error on my part. It was very humid and muggy as usual in the city,
and I had to dry off/cool down for about 15minutes after my walk Downtown
to the hotel venue. After cooling and drying off I was headed downstairs when
two ladies informed me that they were told that the doors would not open until 2pm
which was actually the advertised play start time. Yikes I thought; this is
going to ruin my schedule of other events/stops. I then decided to hang around
a bit more in the lobby of the Benton (formerly Embassy Suites) Hotel
and then head downstairs again after seeing other folks head that way. When in
doubt; follow the crowd, is one of my life's credos!
After arriving downstairs, I then realized that my credo/instinct was correct as a small crowd had already assembled near the venue's doors. There seemed to be a bit of chaos as there were people waiting in several different lines although there was only one main entrance. I surveyed the situation and decided to take up a spot near what appeared to be a sign-in table perpendicular to the venue entrance. As more and more theatre-goers arrived the scene became more and more chaotic as the newer folks began hovering near the entrance door. I then began to eavesdrop on the ladies at the table and overheard them conversating about their ticket scanners not working properly.That is not good, I thought to myself, and then others began to listen in as well. It was nearing the two o'clock start time and some folks began to get a bit fidgety as more and more audience members arrived. Finally, one of the ladies at the sign-in table announced that they were indeed having problems with the ticket scanners which were part of their no-contact plan to combat the spread of the COVID-19 virus. They then made a command decision to go to the old school method and just visually inspect each ticket holder which proved to be easier said than done. All I can say is that I paid for my ticket! Once they open the doors and began running us through the expressed ticket verification queue, we entered the venue and took our general admission seats rather quickly as this interracial audience was indeed anxious to be entertained.
The set was located near the main entrance with tiered stadium-type seating on three sides and was a simple one that included a piano with lamp, writing desk, wine glass, mirror, crown, Eiffel tower chair, extra chair, a two-seater, small dresser with pics, coat rack, and homage to President Obama. The imaginary curtain was up at 2:10pm, just 10 minutes off schedule, with an older and younger version of Aretha on stage. There was a brief song with a live band and background singers behind the stage. Next, the focus turned to the older Aretha reading in her diary to her late father, the Reverend Clarence LaVaughn Franklin (1915 - 1984) of the New Bethel Baptist Church in Detroit, MI. She began to reflect on her well-storied life concerning her men, roller skating, her first child at age 12 (Clarence), her mother moving to Buffalo, NY; her singing in the church and the memory of gospel great Mahalia Jackson (my favorite gospel singer) not paying her for a gig.She then began to reflect on her memories with The Staple Singers, her reported fling with Sam Cooke at the Savoy Hotel in Atlanta, GA (while traveling with her father), her fling at a skating rink in Detroit and getting pregnant again at 14 years old. The younger Aretha character then broke into a rendition of Chain, Chain, Chain (1967). The vocals were okay but far short of the Queen of Soul's which not too many can replicate. The backstage band featured a drummer, guitarist, and keyboardist who were excellent musicians. The older Aretha then explained that she had a natural birth (Edward), and then went back on tour again. She reflected on her trip to Los Angeles, more Sam Cooke personal business, and the fact that her pastor/father was not against secular music. The older Aretha character then hinted at a personal relationship with Berry Gordy (Motown), her controversial Dinah Washington remake, and her new manager (future husband) Mr. Ted White.
After arriving downstairs, I then realized that my credo/instinct was correct as a small crowd had already assembled near the venue's doors. There seemed to be a bit of chaos as there were people waiting in several different lines although there was only one main entrance. I surveyed the situation and decided to take up a spot near what appeared to be a sign-in table perpendicular to the venue entrance. As more and more theatre-goers arrived the scene became more and more chaotic as the newer folks began hovering near the entrance door. I then began to eavesdrop on the ladies at the table and overheard them conversating about their ticket scanners not working properly.That is not good, I thought to myself, and then others began to listen in as well. It was nearing the two o'clock start time and some folks began to get a bit fidgety as more and more audience members arrived. Finally, one of the ladies at the sign-in table announced that they were indeed having problems with the ticket scanners which were part of their no-contact plan to combat the spread of the COVID-19 virus. They then made a command decision to go to the old school method and just visually inspect each ticket holder which proved to be easier said than done. All I can say is that I paid for my ticket! Once they open the doors and began running us through the expressed ticket verification queue, we entered the venue and took our general admission seats rather quickly as this interracial audience was indeed anxious to be entertained.
The set was located near the main entrance with tiered stadium-type seating on three sides and was a simple one that included a piano with lamp, writing desk, wine glass, mirror, crown, Eiffel tower chair, extra chair, a two-seater, small dresser with pics, coat rack, and homage to President Obama. The imaginary curtain was up at 2:10pm, just 10 minutes off schedule, with an older and younger version of Aretha on stage. There was a brief song with a live band and background singers behind the stage. Next, the focus turned to the older Aretha reading in her diary to her late father, the Reverend Clarence LaVaughn Franklin (1915 - 1984) of the New Bethel Baptist Church in Detroit, MI. She began to reflect on her well-storied life concerning her men, roller skating, her first child at age 12 (Clarence), her mother moving to Buffalo, NY; her singing in the church and the memory of gospel great Mahalia Jackson (my favorite gospel singer) not paying her for a gig.She then began to reflect on her memories with The Staple Singers, her reported fling with Sam Cooke at the Savoy Hotel in Atlanta, GA (while traveling with her father), her fling at a skating rink in Detroit and getting pregnant again at 14 years old. The younger Aretha character then broke into a rendition of Chain, Chain, Chain (1967). The vocals were okay but far short of the Queen of Soul's which not too many can replicate. The backstage band featured a drummer, guitarist, and keyboardist who were excellent musicians. The older Aretha then explained that she had a natural birth (Edward), and then went back on tour again. She reflected on her trip to Los Angeles, more Sam Cooke personal business, and the fact that her pastor/father was not against secular music. The older Aretha character then hinted at a personal relationship with Berry Gordy (Motown), her controversial Dinah Washington remake, and her new manager (future husband) Mr. Ted White.